peaseblossom was just looking over a list of cds I'd ordered from the library for
tantaene animis caelestibus irae, and she wanted to know why Nephilim and Opera are so firmly intertwined in my mind (the last time I ran pure Nephilim it was entirely intertwined with an opera by Monteverdi). I don't have a good answer, other than the fact my music-fu is very, very poor. So, take a look at my
fiction inspirations and offer me some musical ones.
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Date: 2005-02-22 11:37 am (UTC)Peter Gabriel's "Passion"
Pink Floyd's "Mettle"
and of course Rush's "Hemispheres"
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Date: 2005-02-22 01:56 pm (UTC)no subject
Date: 2005-02-22 02:34 pm (UTC)Olivier Messaien, "Quartet for the End of Time"
Gustav Mahler, Symphony #2 "Resurrection"
J.S. Bach, "The Art of the Fugue"
Alfred Schnittke, almost anything, but especially his viola concerto (nice CD recorded by Yuri Bashmet, the greatest violist around)
For giggles, Erik Satie's musical score for a Rosicrucian ritual
Conceptually, Schoenberg and to a lesser extent Mahler are doing what you're doing: weaving together history fugally.